...She concluded her talk by presenting five things the Church can do to change the culture. First, she said the Church must identify those people who can represent us well to the wider culture. Media spokesmen are needed, orators are needed, and good singers are needed, she said.
Next, the Church needs to start training artists again. Those with talents for creating beautiful works of art need to be identified, encouraged, and taught, all within the Church. Nicolosi lamented that there is not one Catholic school among the top 20 film programs in the country – “there is no place in the Church to send your artist kid to be the best.”
Nicolosi’s third recommendation for Catholics to change the culture is to start treating the arts as important, by again becoming patrons of beauty. Singers and architects need to well-compensated for their efforts to produce beautiful works of art; “we used to be willing to pay for gorgeous art.”
Medieval inhabitants of Europe sacrificed to produce magnificent Cathedrals, giving a sign of their faith for the future. Our sign for the future, Nicolosi lamented, is the popular 1980s hymn, “Gather Us In.”
Fourth, we need to work with professionals in the media field. Poorly made Catholic media does not evangelize: “ugly, shoddy, embarrassing work is not orthodox Catholic – it’s another kind of lie,” she said.
“You’re saying one thing with your mouth, and something else with your style.” As when building a Church one hires construction professionals, not necessarily daily Mass-goers, the production of Catholic films must include professional filmmakers.
Finally, Nicolosi urged prayer for artistic geniuses – for “Mozarts.” We must “pray to God to send a new influx of beauty, and people who can send it into our midst.”
“Ask God to send a Mozart, and that we’ll recognize him,” she concluded. “Let us, for the sake of the people out there beyond our doors, make what John Paul II called the sacrifices that beauty requires.”...
As C. S. Lewis said:
Good Works' in the plural is an expression much more familiar to modern Christendom than 'good work.' Good works are chiefly almsgiving or 'helping' in the parish. They are quite separate from one's 'work.' And good works need not be good work, as anyone can see by inspecting some of the objects made to be sold at bazaars for charitable purposes. This is not according to our example. When our Lord provided a poor wedding party with an extra glass of wine all around, he was doing good works. But also good work; it was a wine really worth drinking. Nor is the neglect of goodness in our 'work,' our job, according to precept. The apostle says everyone must not only work but work to produce what is 'good.'
The idea of Good Work is not quite extinct among us, though it is not, I fear, especially characteristic of religious people. I have found it among cabinetmakers, cobblers, and sailors. It is no use at all trying to impress sailors with a new liner because she is the biggest or costliest ship afloat. They look for what they call her 'lines': they predict how she will behave in a heavy sea. Artists also talk of Good Work; but decreasingly. They begin to prefer words like 'significant,' 'important', 'contemporary,' or 'daring.' These are not, to my mind, good symptoms.--The World's Last Night: And Other Essays, (Houghton Mifflin Harcourt, Nov 4, 2002), pg 74 ff.
No comments:
Post a Comment